Social trends, fashion, music… just three of the factors that have shaped hold, tempo, style and many other aspects of dance over the years. We have already heard how in 1914, vaudeville performer Harry Fox gave his name to the “Fox’s trot”, adapting his complicated two-step routine to create a more manageable rhythm for his lady partners and simultaneously providing an antidote to the increasingly popular but rather suggestive “animal dances” of the ragtime era.
Winners were John Wells (Elsa Wells’ brother) with Renee Sissons. They won it for the sixth time in a row (they also won Blackpool five
In all (good) dancing, the character of the music will influence the performance of the dancers significantly. The “true” character of each of the ten dances is given by definition of our technique books and the tradition of teaching and performing. Therefore the use of music displaying the characteristic values of the dance concerned is essential.
By Anthony Hurley In anticipation of my article requested by the WDC Education Department I have read the many interesting comments posted on the site
By Keith Morris. I have found over the years one of the most difficult steps to dance and teach is the humble spin turn. Or